Transcending borders and echoes of resilience: Tatsuro and SATOchi from MUCC open up on touring Europe, Fukushima’s impact on Japan and the release of new music.
For years, European fans eagerly awaited the return of MUCC. This long-awaited moment finally came to fruition on May 19th and 20th, particularly for their French fans. The audience and their Japanese icons set the Divan du Monde ablaze with an escalating energy over these two dates! Prior to the first concert, we had the opportunity to sit down with the lead vocalist, Tatsuro, and the drummer of the band, SATOchi, to discuss their comeback, the post-Fukushima situation in Japan, and their upcoming plans. During this interview, Tatsuro and SATOchi shared their excitement about returning to Europe and reconnecting with their devoted fans. The band members were thrilled to finally be able to deliver their performances to their European audience once again. In addition to discussing their comeback, the conversation delved into the aftermath of the Fukushima disaster and its impact on Japan. Tatsuro and SATOchi shared their thoughts on the resilience of their country and how it has influenced their music. They emphasized the importance of using their platform to raise awareness and support for those affected by the tragedy. Looking ahead, MUCC revealed their plans for the future, including the creation of a new album and a desire to continue touring in Europe. They expressed their eagerness to explore new musical directions and collaborate with other artists, showcasing their commitment to evolving as musicians and delivering fresh and exciting content to their fans.
——How is the European tour going?
Tatsuro: The first two concerts of this European tour have been quite eventful. While the actual performances went smoothly, we faced numerous challenges during the preparation stages. From issues with stage installation to soundchecks and rehearsals, we encountered significant technical difficulties. It was a bit frustrating, but we understand that these things can happen, especially at the beginning of a tour. We’ve been working hard to address and resolve these problems, and I’m hopeful that we won’t encounter any more issues moving forward. As they say, with time and experience, things tend to improve. Despite the initial hurdles, I have high hopes for tonight’s concert. I’ve heard that French audiences are known for their enthusiasm and energy, and I believe it’s going to be an incredible experience. I’m really looking forward to performing for the French fans and witnessing their passionate response. There’s something special about the connection between the band and the audience during live shows, and I’m excited to see how that dynamic unfolds tonight. Of course, as a performer, I always strive for perfection. I want to deliver the best possible performance for our fans, and I hope that tonight’s concert will be flawless. We’ve put a lot of effort into our preparations, and I believe that the challenges we faced earlier in the tour have only made us stronger and more determined to give our all on stage. Overall, I have a positive outlook for tonight’s concert and the rest of the tour. I’m confident that we will overcome any obstacles that come our way and create unforgettable memories with our fans. The support and energy of the audience play a significant role in shaping the atmosphere of a live show, and I’m excited to experience the unique energy that the French fans are known for.
——Do you have any stories to share regarding the tour?
Tatsuro: Yesterday, we had the shortest rehearsals in the entire history of MUCC (laughs)! I can assure you, no matter how many years you’ve spent in the music industry, you can’t escape proper rehearsals if you want to give a good concert. We had so many issues that I can’t even list them all. There were just too many (laughs). Rehearsals are usually a crucial part of our preparation process, allowing us to fine-tune our performance and ensure everything runs smoothly. However, on this particular day, it seemed like everything that could go wrong did go wrong. From technical difficulties with our equipment to miscommunications and unexpected challenges, it felt like a comedy of errors. Despite the chaotic nature of the rehearsals, we managed to make the best of the situation and find humor in the absurdity of it all. Sometimes, these unexpected moments can bring the band closer together and create memorable stories to look back on. While it may not have been the most ideal rehearsal experience, we understand that these things happen, and it’s all part of the journey. We learn from these moments and adapt, ensuring that we are always prepared to deliver a great performance for our fans. So, even though it was a bit unconventional and filled with challenges, we made it through those short rehearsals and are ready to give our all on stage. It’s these unique experiences that make being a musician so interesting and unpredictable. We’re excited to share our music and create unforgettable memories with our fans, regardless of the obstacles we may face along the way.
——Tomorrow, you will be performing again at the Divan du Monde (Paris). When you have to perform in the same venue in the same city for two consecutive nights or more, what do you do to make it a different experience for the fans attending these concerts?
Tatsuro: We never think about offering different experiences to fans attending concerts in the same city during a tour. What we do comes from the heart. It emanates from our inner selves. Our concerts are never premeditated or controlled. They are authentic. They cannot be forced or predicted. Each concert is always different from the previous one. No matter where or when we perform, it’s always different. Personally, I always feel different when facing the audience. I hope the fans feel the same way. We solely focus on making this moment a good one, an experience of sharing. We never feel the same on stage. In fact, that’s what makes it so interesting. We never know what will happen. As a band, we believe in the power of spontaneity and the unique energy that each performance brings. We don’t rely on set routines or predetermined scripts. Instead, we let the music guide us and allow ourselves to be fully present in the moment. This approach ensures that every concert is a fresh and genuine experience for both us and the fans. While the venue and city may be the same for consecutive nights, the atmosphere, interactions, and even the subtle nuances in our performance can vary greatly. We feed off the energy of the audience and let it shape the direction of the show. This organic connection between us and the fans creates a dynamic and ever-changing experience.
——What do you like most and least about touring outside of Japan?
SATOchi: What I like most about touring outside of Japan is being able to perform on stage and share a special moment with our international fans. It’s incredible to see how music can transcend borders and bring together people from different cultures and languages. It’s a truly rewarding experience to feel that connection with the audience, to see their passion and support, no matter where we are in the world. What I like least is the fragility of my mental state during tours. I have to admit that I’m not very strong mentally. When we have multiple consecutive concerts, I often become nervous and doubt my abilities. Negative thoughts start to invade my mind, and I question myself, “Will I be able to handle tonight?” It can be mentally and emotionally draining. But you know, I’ve found a little trick to relax a bit. At the end of each concert, especially when we have another show the next day, I reward myself with a good foreign beer. It’s a little ritual I’ve developed to unwind and allow myself to enjoy the present moment. There’s nothing like a good beer to calm the nerves and mentally prepare for the next concert (laughs).
Tatsuro: I agree. That feeling of connection with fans abroad is truly special. It’s amazing to see how music can transcend language and cultural barriers, and create a real community of passionate fans. That’s what makes international tours so unique and fulfilling. As for the less enjoyable aspects, I would say that the long hours of travel and jet lag can be exhausting. Air travel, time zone changes, and busy schedules can take a toll on our energy and physical well-being.
——European fans have been eagerly awaiting your return for years. The last time you visited us was in 2011, just before the nuclear disaster in March. Was that one of the reasons for your absence?
Tatsuro: Not really. It wasn’t the reason for our absence. We simply couldn’t arrange a return abroad at that time. Even if we wanted to, the timing didn’t allow it. Japan kept us quite busy. I would have liked it to happen sooner, but the circumstances weren’t right yet. We’re happy to be here today. I hope our fans won’t hold it against us. As for the events in Fukushima, they were particularly difficult for all Japanese people, in the worst sense of the term. The Fukushima disaster was a devastating event that had a profound impact on the Japanese people. It was a moment of great uncertainty and fear, as we faced the consequences of a nuclear accident and its potential long-term effects. It was a situation that none of us had ever imagined or prepared for. However, amidst the darkness and despair, there was a glimmer of hope and resilience that emerged from the Japanese people. We witnessed acts of incredible kindness, compassion, and unity. People came together to support one another, offering help and assistance to those in need. It was a powerful reminder of the strength of human spirit and the capacity for love and solidarity in times of crisis. It showed us the power of unity, compassion, and the ability to come together in the face of adversity. It is a testament to the strength and beauty of the Japanese people and their unwavering spirit.
——This episode is far from over.
How is Japan coping? What is the post-Fukushima situation like?
Tatsuro: We don’t know if the damages from this disaster will ever be fully repaired. The media says that the situation is slowly improving. But can we trust them? Can we believe the newspapers? Should we trust what is being reported in the news? Can we trust the TV and politicians? Nobody knows what is really happening. Nobody knows the exact extent of the damages. The only thing we can be sure of is that they are much greater than what is being said. But people continue to live as they did before, this topic is no longer at the center of their interest. The scars are deep, but people have their own problems in their daily lives. It has been four years now, and there hasn’t been much change compared to how we lived before. It is a complex and sensitive issue, and the aftermath of the Fukushima disaster continues to pose challenges for Japan. The process of recovery and rebuilding is ongoing, and there are still many uncertainties and concerns surrounding the long-term effects of the nuclear accident. The government and various organizations are working to address the environmental, health, and social implications of the disaster. The media coverage and public attention have shifted over time, and the focus has moved away from Fukushima. People are trying to move forward with their lives, dealing with their own personal challenges and daily routines. While the scars of the disaster remain, the resilience and determination of the Japanese people have allowed them to adapt and continue living. It is important to acknowledge that the impact of such a catastrophic event cannot be easily overcome, and the road to recovery is a long and complex one. The full extent of the damages and the long-term consequences are still being assessed and addressed. The people of Japan continue to face the challenges and uncertainties, while also finding strength and hope in their resilience and unity.
——Last year, you released your 12th studio album, The End of the World. Its concept is based on the idea of living in the here and now, appreciating life as it comes, as long as we can. Was Fukushima a source of influence? This idea seems to have been reflected in the name of your European tour, ‘Fuck The Past, Fuck The Future,’ right?
Tatsuro: Exactly! The concept behind our album “The End of the World” and the theme of living in the present moment were indeed influenced by the events of Fukushima. The disaster served as a wake-up call for many of us, reminding us of the fragility of life and the importance of cherishing each moment. In the aftermath of Fukushima, there was a collective realization that we cannot control or change the past, and worrying excessively about the future only robs us of the joy and beauty of the present. It became clear that dwelling on the past or constantly worrying about what lies ahead is not productive or beneficial for our well-being. With “The End of the World” album and the “Fuck The Past, Fuck The Future” tour, we wanted to convey the message of embracing the present moment and finding solace, joy, and meaning in the here and now. It is about appreciating the simple pleasures, connecting with others, and finding happiness in the present circumstances, no matter how challenging they may be. The idea of living in the present is not just a response to the Fukushima disaster, but also a reflection of our broader philosophy as artists. We believe that art should reflect life, and our personal experiences and emotions shape our creative expression. Fukushima served as a catalyst for us to delve deeper into the concept of living in the present and to share that message with our audience.
——You have had the opportunity to perform this album on stage for a while now. With hindsight, what do you like the most about it and what are your favorite songs to play?
Tatsuro: Hmm… I love the whole album.
SATOchi: I enjoy playing ‘The End of the World’.
——Are you satisfied with the feedback it received? Do you read the reactions of fans online?
Tatsuro: We do keep ourselves informed. The fans’ opinions are important to us. While we do value the feedback and opinions of our fans, it can be challenging for us to fully engage with the reactions and comments from foreign fans due to the language barrier. We don’t have the fluency and resources to understand and respond to all the online reactions in different languages. But, we do make efforts to stay informed and gather feedback.
——What is the greatest strength and weakness of the band as an entity?
Tatsuro: Certainly! The greatest strength of our group as an entity is the deep friendship and strong bonds that we have formed over the years. We have been through so much together, both personally and professionally, and that has created a sense of trust and camaraderie that is truly invaluable. Our friendship is the foundation of our collaboration and allows us to navigate the challenges and successes of being in a band. No matter how much time passes or how far apart we may be physically, our friendship remains strong. When there is a crisis or urgent situation, we always come together and support each other. We have each other’s backs and know that we can rely on one another. This unity and support system within the group is a significant strength that has helped us overcome obstacles and continue to create music together. However, like any group, we also have our weaknesses. One of our weaknesses is that when there is no immediate urgency or crisis, we can sometimes drift apart or become less connected. This is not uncommon in long-standing relationships or groups, as life’s responsibilities and individual pursuits can sometimes take precedence. It is during these times that we need to do an effort and stay connected and maintain our bond as a group. Interestingly, we have found that living in a state of urgency, whether it be through the creative process, touring, or facing challenges together, helps to keep us united and focused. It is in these moments that we truly thrive as a group and find the inspiration and motivation to continue making music together. Despite our weaknesses, the strength of our friendship and the shared passion for our music has allowed us to sustain MUCC for almost 20 years. We are grateful for the support of our fans and the enduring bond we have as a group, and we will continue to cherish and nurture our friendship as we move forward in our musical journey.
——What do you like most about each other?
Tatsuro: Absolutely! One of the things I admire the most about SATOchi is his unwavering dedication and work ethic. He approaches his work with a level of discipline and commitment that is truly inspiring. Whether it’s during rehearsals, recording sessions, or live performances, SATOchi always gives his all. He pours his heart and soul into every aspect of his musical contributions, and that level of passion is contagious within the group. His emotional depth and intensity bring a unique energy to our music, and I truly appreciate his ability to consistently deliver his best.
SATOchi: Tatsuro’s creative spirit is truly remarkable. He has an incredible ability to think outside the box and come up with innovative ideas. His visionary mindset allows him to see possibilities and potential where others may not. Tatsuro’s creativity extends beyond just the music itself; he has a knack for creating meaningful connections with individuals from diverse backgrounds. His ability to build relationships and draw inspiration from different perspectives greatly influences not only him but also the entire group. It brings a richness and depth to our music that I find incredibly valuable.
——You have announced the release of your mini-album titled T.R.E.N.D.Y. -Paradise from 1997- SATOchi: (laughs) It’s true that the title is complex.
Tatsuro: The title of our mini-album, T.R.E.N.D.Y. -Paradise from 1997-, may seem complex and unusual, but it holds a deeper meaning for us. The year 1997 represents the time when MUCC was formed, and we were young and ambitious, trying to make our mark in the music industry. During that period, we were heavily influenced by the trends and popular music of the time. As young musicians, we analyzed what the audience was gravitating towards, what kind of music was selling, and how the music industry operated. We tried to emulate and incorporate those trends into our own music. However, as we continued to grow and evolve as artists, we realized the importance of developing our own unique sound and identity. Over the years, we have learned from our musical heritage and experiences, and we have crafted our own distinct style. Looking back as adults, we recognize that we have gone through various trends and phases in our musical journey. The title of the mini-album reflects our desire to break through and succeed within the trends that surrounded us during our early years. Despite the somewhat kitschy and quirky nature of the title, we embrace the contrast between its appearance and the actual content of the album. We wanted to create a mini-album rather than a full-length LP because it is perfectly suited for festival performances, typically lasting around 30 to 40 minutes. Our intention is to showcase this mini-album at various festivals throughout the summer, allowing us to connect with our fans and share our music in a live setting. In essence, T.R.E.N.D.Y. -Paradise from 1997- represents our journey as a band, the influences we have encountered, and our determination to carve our own path within the ever-changing music industry. We are excited to present this mini-album to our fans and continue evolving as musicians.
——Thank you both.
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Mandah FRÉNOT
(c) VMJ
